Dublin-based quarter Sprints have shared ‘Modern Job’ – the first song to be released from upcoming EP ‘A Modern Job’, out on 11 March 2022 via Nice Swan Records. The song finds Karla Chubb looking back on her past and how important it is to accept yourself for who you are: ‘Modern Job is a…
Following praise from NME, the Guardian and BBC 6 Music, Eades have returned with new single ‘Reno’ – a song that tells the farcical story of someone using indiscriminate arson as a means to escape the mundane normality of a 9-5 work. Opening with crunching guitar riffs and a glam-rock stomp, there are echoes of…
Maybeshewill have shared the video for ‘Refuturing’ ahead of the release of new album – and first since their 2016 hiatus – ‘No Feeling is Final’ (out on the Robot Needs Home Collective label on 19 November. Guitarist Robin Southby says: ‘Conceptually, Refuturing (and the album as a whole) is concerned with the existential dread…
Fatherson have made a welcome return with the suitably gloomily titled new single ‘End of the World’. Straying into a more fractured pop sound than the anthemic indie-rock that’s served them so well in the past, there’s still a delightfully dry and melancholy tone throughout as Ross Leighton sings about being a non-believer and how…
Orchards have shared ‘Drive Me Home’ ahead of the release of new EP ‘Trust Issues’ on Big Scary Monsters on 26 November. Described by the band as an ‘anti-love song’ – ‘It’s that moment when you’re out and you see your ex who’s wrecked and even though you know you shouldn’t help because it ended…
Isle of Wight duo Wet Leg follow up the phenomenal success of ‘Chaise Longue’ with the equally cheeky and infectious ‘Wet Dream’. Another short, sharp and witty piece of bouncy indie pop, it’s a break-up song inspired by one of Rhian Teasdale’s ex’s penchant for texting her to say he had been dreaming about her…
Laura-Mary Carter (Blood Red Shoes) has shared ‘Town Called Nothing’, the title track from her forthcoming mini album – out on 3 December. Inspired by travels around the USA – and a visit to a genuine town in Arizona called Nothing with a population of 2 – the folk-tinged song finds Laura contemplating on the…
Church Girls recently shared ‘Vacation’ ahead of their second album ‘Still Blooms’ (out now on Anchor Eighty-Four and Big Scary Monsters). Full of glistening guitar hooks and zesty energy, the song fings the Philadelphia four-piece – led by Mariel Beaumont – in confessional mood as she talks about doing alright and trying to break out…
Former Wild Beast Hayden Thorpe follows up 2019’s ‘Diviner’ and last year’s ‘Aerial Songs’ EP with ‘Moondust for My Diamond’ – an album that finds the Lake District-based singer-songwriter trying to make sense of ‘the meeting point between science and religion, the grand struggle for reality that shapes so much of our time’. The blissed-out…
Ty Segall’s ‘Harmonizer’, his first album in two years, finds the psych-obsessed singer-songwriter exploring new soundscapes and embracing thick keyboard textures, potent guitar sounds and much, much more… ‘Ride’ opens the album in suitably squelchy, synthy and kaleidoscopic fashion as Ty tries to recall the past – ‘She can’t remember where it was’ – and…
Bleach Lab follow the sublime singles ‘Talk It Out’ and ‘Real Thing’ with the ‘Nothing Feels Real’ EP. Produced by Stephen Street (Blur, The Smiths, The Cranberries), the EP follows praise from BBC 6 Music, DIY and The Line of Best Fit and finds the South London four-piece opening up about their personal struggles, toxic…
Seattle-based singer-songwriter Noah Gundersen moved off the grid to a moss-covered cabin deep in the woods of Mt. Baker, Washington State, just as the pandemic took over all of our lives. The location had no WiFi, a water supply fed by a nearby creek and a wood-burning stove for heat. These surroundings inspired the songs…
‘Windflowers’, Efterklang’s sixth album and first on City Slang, finds the Danish trio in optimistic mood – channelling the season of spring and the sea of tiny flowers that brings more colour to Danish forests every year. This hopeful tone has resonated with the band and inspired them to embrace their melodic and pure pop…
Pip Blom follow up 2019’s ‘Boat’ with new album ‘Welcome Break’ – named after the UK’s service station favourite. Self-produced, mixed by Caesar Edmunds (PJ Harvey, St Vincent, Queens of the Stone Age) and recorded at Ramsgate’s Big Jelly Studios, it’s an album that finds Pip and her band mates speaking out about feelings, important…
We Are Scientists return with ‘Huffy’ – their first album in three years. From unashamedly romantic love songs to making deals, mortality and mental health, this record finds Keith Murray and Chris Cain offering their unique takes on all manner of subjects… Opening in typically frenetic fashion, ‘You’ve Lost Your Shit’ kicks off proceedings with…
