Sassyhiya – ‘Take You Somewhere’ album review


With influences ranging from the Breeders and Broadcast to Dolly Parton and ‘Kristen Stewart’ already on its way to becoming a queer anthem, Sassyhiya’s debut record ‘Take You Somewhere’ promises to be a glorious celebration of modern life. The wonky, woozy pop melodies of opener ‘Boat Called Predator’ bring back memories of indie legends Bearsuit,…

Nap Eyes The Neon Gate album artwork

Nap Eyes – ‘The Neon Gate’ album review


The Neon Gate, the fifth album from Halifax, Nova Scotia indie-rockers Nap Eyes finds the band adapting poems from Alexander Pushkin and W.B. Yeats, meditating on everything from philosophy to the surreal and celebrating the joy of video games… ‘Eight Tired Starlings’ opens the record with Nigel Chapman claiming ‘My whole world opened again’ against…

Bottlemoth – ‘Even Us Ghosts’ album review


‘Even Us Ghosts’, the debut album from indie-rockers Bottlemoth explores a host of themes as Ethan Proctor navigates life in your 20s – from embracing independence to experiencing heartbreak and facing up to mental health issues. ‘You’ll Always Have Us’ opens the record with jangly pop hooks and lyrics from the heart: ‘I’ve been thinking…

Drug Church Prude album artwork

Drug Church – ‘Prude’ album review


Albany, NY-based Drug Church return with ‘Prude’ (released via Pure Noise Records on 4 October) and it’s 28 minutes of heart-on-sleeve attitude and punk-meets-hardcore riffs… ‘Mad Care’ opens the album with a blast of aggressive, noisy guitar and drums with Patrick Kindlon joining the proceedings, declaring: ‘This is your situation, this is your circumstance, this…