Nap Eyes The Neon Gate album artwork

Nap Eyes – ‘The Neon Gate’ album review


The Neon Gate, the fifth album from Halifax, Nova Scotia indie-rockers Nap Eyes finds the band adapting poems from Alexander Pushkin and W.B. Yeats, meditating on everything from philosophy to the surreal and celebrating the joy of video games… ‘Eight Tired Starlings’ opens the record with Nigel Chapman claiming ‘My whole world opened again’ against…

Bottlemoth – ‘Even Us Ghosts’ album review


‘Even Us Ghosts’, the debut album from indie-rockers Bottlemoth explores a host of themes as Ethan Proctor navigates life in your 20s – from embracing independence to experiencing heartbreak and facing up to mental health issues. ‘You’ll Always Have Us’ opens the record with jangly pop hooks and lyrics from the heart: ‘I’ve been thinking…

Drug Church Prude album artwork

Drug Church – ‘Prude’ album review


Albany, NY-based Drug Church return with ‘Prude’ (released via Pure Noise Records on 4 October) and it’s 28 minutes of heart-on-sleeve attitude and punk-meets-hardcore riffs… ‘Mad Care’ opens the album with a blast of aggressive, noisy guitar and drums with Patrick Kindlon joining the proceedings, declaring: ‘This is your situation, this is your circumstance, this…

Uzumaki – ‘Waded’ album review


London-based alt-rocker Uzumaki release their debut album ‘Waded’ via Everything Sucks Music on 13 September. With influences ranging from Sonic Youth to Pulp and early Weezer, the record aims to capture the raw and real energy of the band in a live setting… The 2 1/2-minute title track opens the record with a Breeders-esque bass…

Hello Mary – ‘Down My Life’


Hello Mary have shared ‘Down My Life’ ahead of the release of new album ‘Emita Ox’ via Frenchkiss Records on 13 September. Helena Straight says the song was written after ‘one of the saddest experiences of her life’ and you can feel the pain and anguish in her vocal delivery – which glides over a…