Bleech 9:3 – ‘Cannonball’


Bleech 9:3 have shared their third single ‘Cannonball’, a song that vocalist and guitarist Baz Quinlan says is ‘a reflection of how bad worship in the form of a lover has made life itself into something else’. Starting with shoegazey guitar hooks before morphing into something heavier in the vein of Oceansize, it finds Baz…

Bloodworm – ‘Bloodlust’


Nottingham trio Bloodworm have shared ‘Bloodlust’ ahead of an extensive tour of the UK supporting Suede – after being personally invited by guitarist Richard Oakes after he caught one of their London shows. With a devilishly brooding bass line and darkly tinged lyrics – ‘You come for me, I’ll come for you’ – this is…

Rifle – ‘Rifle’ album review


London punks Rifle have unleashed their debut record, with its focus on giving a voice to the working class who are all too often ignored in the current, divisive climate. ‘Rifle’ opens the record and with the same name as both the band and the album, it’s a frenetic and focuses statement of intent –…

Mirah

Mirah – ‘After the Rain’


Mirah has shared ‘After the Rain, her first single in seven years and first to be taken from upcoming seventh album ‘Dedication’, which will be released via Double Double Whammy and Absolute Magnitude on 20 February, 2026. Covering a turbulent time in her life that included relationship worries and a bout of writer’s block, the…

Ellur – ‘Dream of Mine’


Halifax-based singer-songwriter Ellur has shared ‘Dream of Mine’ ahead of the release of debut album ‘At Home in My Mind’ via Dance to the Radio on 6 February, 2026. A song about ‘feeling selfish for wanting to pursue a career that requires a lot of sacrifices’, it finds Ellur ruminating on the insecurities that come…

The Reds, Pinks & Purples New Leaf

The Reds, Pinks and Purples – ‘New Leaf’


The Reds, Pinks & Purples have returned with ‘New Leaf, a suitably restrained slice of melancholic indie rock that finds Glenn Donaldson in wistful mood: ‘Between the earth and the sea, always a mystery, always unknown’. There’s a touch of The National in the atmospheric guitar work while gothic undertones add an expertly pitched uneasiness.