The Orielles – ‘Only You Left’ album review


‘Three Halves’ opens the record in shoegazey fashion, although there’s a touch of C86 jangliness running through. Think of the meeting point between Arab Strap and Heavenly and you’re halfway there. It then picks up the pace towards the end, while ‘Shadow of You Appears’ is more restrained with its tribal Radiohead-esque guitars, fractured strings…

Railcard – ‘Railcard’ album review


Formed when Rachel Love (Dolly Mixture), Ian Button (Papernut Cambridge, The Penrose Web) and Peter Momtchiloff (Heavenly, Would-be-goods) realised they were all born within weeks of each other in 1962, Railcard are set to release their self-titled debut record via Skep Wax and Slumberland Records on 6 February, 2026. The group is completed by Allison…

Mandy, Indiana Urgh album artwork

Mandy, Indiana – ‘Urgh’ album review


Mandy, Indiana are all set to release their second album – and first on new home Sacred Bones – ‘URGH’ on 6 February, 2026. With a focus on self-determination, resilience and hope for a brighter future, the album – with lyrics largely in Valentine Caulfield’s native French – was written during an intense and eerie…

Ailbhe Reddy Kiss Big

Ailbhe Reddy – ‘Kiss Big’ album review


Ailbhe Reddy describes ‘Kiss Big’ as a breakup record that covers the ‘liminal space where you’re equal parts sad, hopeful, terrified and probably a bit delusional. Written between Dublin, London, New York and the American Midwest, it’s an honest account of a confusing and emotional time. ‘Align’ is a slow-burning, electro-tinged opening to the album…

The Cribs – ‘Selling a Vibe’ album review


After five years away where they reconnected as brothers and friends rather than bandmates, The Cribs are back with their ninth album ‘Selling a Vibe’. Produced by former Chairlift member Patrick Wimberly (Solange, Lil Yachty), the Jarmans have promised their most open and personal record to date… ‘Dark Luck’ opens the record with stop-start, scuzzy…