Bambara Stray album 2020 review

Bambara – ‘Stray’ album review


Brooklyn-via-Athens, Georgia post-punk band Bambara’s fourth album ‘Stray’ is a record all about death with words and themes ranging from the surreal and dark to the sublime and delicious. Their second album on Wharf Cat Records, it follows acclaim from Steve Lamacq and shows with Idles. The intense and slightly industrial sound of ‘Miracle’ opens…

Dropkick The Scenic Route album review 2020 Bobo Integral Records

Dropkick – ‘The Scenic Route’ album review


Incredibly, ‘The Scenic Route’ (order via Bandcamp here) is Dropkick’s 16th album. Released via Bobo Integral Records, the Scottish band claims it’s their ‘most accomplished, coherent and fully realised collection of songs to date’. With a melody Norman Blake would be proud to call his own, ‘Feeling Never Goes Away’ opens the album with a…

Kiwi Jr Football Money album review 2020 Alvvays

Kiwi Jr – ‘Football Money’ album review


Toronto-via-Charlottetown indie rockers Kiwi Jr release debut album ‘Football Money’ via Persona Non Grata Records (Pip Blom). The record, engineered by Aaron Goldstein and mixed by Holy Fuck’s Graham Walsh, follows shows with huge bands including Wolf Parade, New Pornographers and Alvvays. Clocking in at under 30 minutes, the 10 tracks kick off with ‘Murder…

Of Montreal UR FUN album review

Of Montreal – ‘UR FUN’ album review


Kevin Barnes’ indie-pop veterans of Montreal return with ‘UR FUN’, their first album since 2018’s ‘White is the Relic/Irrealis Mood’. Billed as a ‘staying-in-love record’, it promises to be full of potent pop hooks and foot-shuffling melodies. The album opens with ‘Peace to All Freaks’, a song with an important message and a burst of…