Cherym Listening to my head

Cherym – ‘Listening To My Head’


Alcopop! Records signings Cherym have shared the Dirty John-inspired video for new single for ‘Listening To My Head’. While the video recounts the experiences of Betty Broderick being mentally tortured by her lying, cheating husband of 20 years, the song itself is a potent and pacy piece of power punk filled with riffs and sing-along…

Bitch Hunt – ‘Shapeshifter’ EP review


Queer indie/punk Londoners Bitch Hunt release their debut EP ‘Shapeshifter’ via Reckless Yes on limited edition CD and digital outlets on 28 May. The band say: ”Shapeshifter’ explores the difficult journeys that someone has to go through to navigate a cisheteronormative world, but does it in a mostly upbeat and triumphant tone. Themes include heartbreak…

Strange Bones stream of England Screams Blackpool band

Strange Bones – ‘England Screams’


Blackpool’s Strange Bones have shared ‘England Screams’ ahead of the release of their debut album of the same name on 20 August via FRKST/300 Entertainment. Frontman Bobby Bentham says the new single focuses on the tumultuous thought process behind human behaviour: ‘It’s like we’re living in a pantomime, everyone is waiting and expecting for something shocking…

English Teacher – ‘R&B’


Released as part of Nice Swan Records (Sports Team, Pip Blom, Hotel Lux) ‘Nice Swan Introduces…’ series, English Teacher’s ‘R&B’ is a powerful and loud piece of art rock with a delicate edge as Lily Fontaine delivers words about caring for someone so much that you end up writing them R&B – even if these…

Grandmas House – ‘Small Talk’


Following support from 6 Music, Dork and DIY and shows with Stef Chura and Frankie Cosmos, Bristol-based queer punks Grandmas House have shared new song ‘Small Talk’, a 96-second fusion of riffs and anger that finds them pushing back against the way women are cornered into small talk in bars by so many men with…

Fresh – ‘Girl Clout’


Fresh have shared new song ‘Girl Clout’ – an impassioned rally against the toxic masculinity that infects our culture (and especially the music scene). Lead singer Kathryn Woods says the song’s themes ‘include power, not being taken seriously by male musicians and bands, and being tokenised. It’s also about seeing through performative male allyship, owning…